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Mumford & Sons - 'Dust and Thunder' Live in SA Concert Film


Multi-platinum selling band, Mumford & Sons have a massive and loyal international following, which was echoed at the last tour of South Africa, where they played for over 50,000 fans at their last concert in Pretoria. While this reviewer didn't get a chance to attend the actual concert, there's a good chance you'll feel like you did after experiencing this immersive film at Post City in Cape Town. The post-production company worked on the concert film, which they're proudly presenting at their in-house cinema this November.

Mumford and Sons - Dust and Thunder

I had the privilege of being one of the first people to see this concert film at a private screening at their studios on the Foreshore and it was sensational. The intimate 32-seater cinema is equipped for Atmos with a 4k projector and enshrines you in speakers. The sound test they played for us to demonstrate the 3D surround sound was incredible, giving you a real sense of the aural environment.

While Mumford and Sons isn't a personal favourite, their ability, energy and talent is undeniable. Most concert films become a bit repetitive, but this one was different, keeping you in the moment with sharp editing and multiple perspectives of every musician on stage in Ultra HD. The energy of the visuals and colour spectrum are reinforced by the sound, which takes you to the concert. The sound designers recorded multiple channels from within the audience and the results are quite amazing, giving you the shrill screams of fans and the inside edge, making you want to applaud when the crowd get involved. They collaborate with supporting artists: Baaba Maal, Mamadou Sarr, The Very Best and Beatenberg, welcoming them on stage after the encore.

The music is visceral as the pulsating rhythm and sound whip the crowd into a euphoric state, in many ways akin to being in a cathedral of sound. The eclectic visuals sustain you as the band keep things fresh by switching instruments, getting crowd interaction and bringing new session musicians on stage. This is a one-of-a-kind concert film that has set a new bar for sound and Post City have shown that they are open for business and ready to mix more big name live performances.

Post City Studios are screening this concert for a limited time at R170 a ticket, which you can get through Webtickets. It's obligatory for Mumford & Sons fans and a must for audio-visual enthusiasts, or anyone who enjoys rock concerts. Book tickets here.

 
Talking Movies with Spling - Hell or High Water, Shepherds and Butchers and Born to be Blue


Spling reviews Hell or High Water, Shepherds and Butchers and Born to be Blue as broadcast on Talking Movies, Fine Music Radio. Catch Talking Movies on Fridays at 8:20am and Saturdays at 8:15am every week on Fine Music Radio.

 
The Galileo Open Air Cinema... it's alive, it's ALIVE


This year's Galileo Open Air Cinema season kicked off with a sold out Halloween screening of A Nightmare on Elm Street. While Freddy Krueger got the ball rolling, the Galileo's vibe is exemplified by About Time, the film they screened at Kirstenbosch, by renowned British director, Richard Curtis. About Time has its own outdoor screening scene and there's even lawn croquet, something the Galileo has started this year along with giant Jenga and boulle. About Time is heartwarming, life-affirming, rewatchable, all about love, has a special focus on family and is a real crowd pleaser... traits that underline what the Galileo's geared towards. Book Tickets

Their 2016/2017 film selection of popular crowd-pleasers are films that you want to watch again and the organisers have done their research, picking the best of the best from similar outdoor film events around the world. They've added the Castle of Good Hope as a new Friday venue, which should enthrall moviegoers and the screening line up is jam-packed old favourites as well as modern classics like Boyhood and Into the Wild. The gourmet food market has returned with delicious oven-baked pizza, fire-grilled nachos and stacked burgers. This year they've got a Seattle Coffee Co. mobile barista into the mix, which will appeal to coffee junkies.

Before the screening it's important to get a good spot before the hordes descend, unless you booked a VIP package, which gets you reserved seating. You may wait about an hour or more before the screening starts, during which time you can answer trivia questions on the big screen, play some lawn games or picnic with friends at one of their picturesque venues. It's a good idea to take a cushion, a warm jacket and recommended that you rent a back rest for maximum comfort.

 
Erica Wessels on 'Hatchet Hour'


Erica Wessels is a rising South African star, best known for Alles Wat Mal Is, Primeval and My Father's War. Her latest role in Hatchet Hour, which opens 4 November, sees her playing Isabelle Sudlow, a ruthless, go-getting lawyer who finds herself in a tricky situation when she kills her gardener by mistake and scrambles to cover it up with the help of a friend.

Hatchet Hour - Erica Wessels

How did you get involved in this film?

Judy Naidoo phoned me about a year and a half before we started shooting. She had heard of me through someone in the industry and wanted to chat and organize a Skype meeting. At first, I didn't think anything would come of it, but eventually she set up auditions in Joburg and I happen to be up here, so it worked out well. I'm not sure if she even saw other actresses for Belle, so I was pretty lucky that she so envisioned me in this role. I got the job and the rest is history.

Do you know anyone like Isabelle Sudlow?

No I don't. I know people with certain traits of hers, but as a full person no.

Did you enjoy playing a blonde for a while, and more importantly a psycho?

In terms of the blonde, I loved having such a radical transformation as an actress. It's the stuff we dream about. It also really helps when forming the character, because physically you feel like the job is half way there. You feel very 'other' and yet ironically, you now have to find the truth of the character within yourself, find links, connections, needs and a deep love and empathy for yourself as the character. It was pretty scary playing a psycho sometimes. But people and behaviour is what fascinates me so the way Belle rationalizes her behaviour; I found upsetting, yet profoundly interesting. I never saw her as a psycho, just a woman who has become lost in competition, fears failure more than anything, and in essence, desires praise and acceptance from her father more than anything.

How did you prepare for the role and where did you get inspiration?

I chatted to a couple of friends who are attorneys about the technical details and their experiences. I hung out with a bunch of lawyers for an afternoon. Trying to catch on the energy and general nature of determined goal-driven lawyers. I read up about people who isolate themselves and refuse to see vulnerability as a healthy life decision. I created a whole back story for Belle. And then I always read my script over and over. There are lots of clues on every page.

What was the most grueling aspect of this project?

About 50% of the shoot happened at night, which gets incredibly draining and demanding in a physical sense.

What was it like playing opposite Petronella and Adam?

We had loads of fun and the couple of rehearsal days also really helped in regards to connection and freedom once we got to set.

Did you keep anything of Isabelle's or what would you have wanted to keep?

I bought a couple of her designer outfits from Glynnis our wardrobe HOD. I have never understood 'power dressing' as I do now. Belle made me feel like an ice queen mixed with a lioness on heels.

How do you think audiences will respond?

I think people are going to like it. It's gritty and funny with a dark and twisted edge, yet hilarious and upsetting at the same time. Definitely a genre South Africa hasn't seen enough.

What was it like working with Judy?

Judy has a very clear idea of what she wants, yet she always gave me freedom to play around and find the truth of the moment for myself. I respect her determination to create an interesting and surprising film. Hopefully we will work together again.

 
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