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Movie Review: Silence


Silence is the third overtly religious film from director Martin Scorsese, following The Last Temptation of Christ and Kundun. It's a film that Scorsese has been trying to make for more than two decades, based on the novel by Shusaku Endo about two Jesuit priests who travel to Japan in order to find their mentor and continue his mission to propagate Catholicism in the 17th century. While the spiritual perspective may be met with some suspicion, the overriding themes are universal.

It's the second reworking of Endo's novel after it was initially adapted by Masahiro Shinoda in 1971. Scorsese struggled to get the film financed, which resulted in a number of delays in the project's development through the years. Originally, Silence's original cast included: Daniel Day Lewis, Gael Garcia Bernal and Benicio Del Toro. When the production eventually got the green light, Liam Neeson, Andrew Garfield and Adam Driver were assigned to the lead roles.

While the persecution of Christians has continued through the ages, the release of Silence comes at a time when it has not only increased, but spread to more corners of the globe. Viewed as a foreign, "colonial" threat purveying the ideologies of the West, many Christians face persecution in countries with nationalist religious movements, driven by government or in some incidents, extremists. This is the case in Silence, in which a grand Inquisitor was appointed to root out, punish and even execute Japanese Christians, who didn't denounce their faith by trampling on a tablet depicting Christianity.

We are introduced to Father Ferreira, played with steely-eyed sincerity by Neeson, a man rumoured to have committed apostasy after bearing witness to the ruthless torture of other monks, facing terrible acts of physical and psychological hardship. The journey begins with Rodrigues and Garupe, two Jesuit priests who feel led to travel to Japan in search of their mentor. Travelling under the cover of night and hidden by a secretly Christian village, they continue their ministry as they slowly learn of Ferreira and attract the Inquisitor's suspicions.

Silence Movie

"Between the dust and stars lies... Middle Earth."

The lead actors all lost a considerable amount of weight and underwent tutelage, or some form of religious retreat in order to get into the spiritual dimension of their characters. While Bernal and del Toro would have added an extra layer of authenticity to the accent and representation of the Portuguese men, Garfield and Driver immerse themselves in their performances and carry a truth that overpowers minor inaccuracies. Yôsuke Kubozuka embodies the role of Kichijiro like the antithesis of Kikuchiyo as played by Toshirô Mifune in The Seven Samurai, lacing the story together with shameful treachery instead of bold heroics. Then, to round off a solid ensemble Issei Ogata delivers a noteworthy and devilishly charming performance as "The Old Samurai".

Perhaps it's Garfield's role in Hacksaw Ridge that further cements the film's parallels with Unbroken. All three films are based on true stories, which deal with adversity, perseverance, persecution, the darkness of the heart and the stubbornness of the human spirit. The historical permanence and timeless themes make them all equally powerful in terms of emotional and physical resilience. While Hacksaw Ridge and Unbroken are set during World War II, the systematised uprooting of a religion and the persecution of one group over another has a resonance with the events depicted in Silence.

Scorsese must have been influenced by The Mission in 1986. This haunting human drama also dealt with Jesuit priests and was released around the same time that he began his work on the adaptation. Silence is reminiscent of Terrence Malick's films in terms of its elemental visuals, and the way it juxtaposes man and nature. It's a mixture of blood and mud as our adventurers undertake a dangerous undercover mission into the heart of 17th century Japan. They struggle to trust and encounter great suffering, acting like spies beyond enemy lines. While not as ornate, the subject matter, pioneering spirit, historical significance, ideological fillibustering and even some of the trappings reflect aspects from the film, Luther.

Silence is a challenging, powerful and unsettling human drama that tackles despair, faith, sacrifice, suffering, physical and psychological torture. Scorsese's complex representation of characters ensures that everyone has a measure of good and bad, preventing us from simply dismissing one standpoint over another. This grey area generates plenty of tension as believers are put on trial before man and God, forced to decide between rejecting their faith or accepting the road to martyrdom. The right to self-determination and freedom of religion is examined within the context of a country desperately trying to oust insurgents, whose personal envoy to save souls has far-reaching macro effects for Japan's nationalism and international trade.

It's a haunting film that will leave you in silence and stay with you for some time. While somewhat slow burning in terms of pacing, this old world feel helps you to sink into the suspended environment and story. We're treated to beautiful vistas as the mountain meets the sea only to find ourselves on edge as the Inquisitor's ruthless agenda is carried out with the sudden, sharp force of a sword. At almost 3 hours, it's a film you can lose yourself in... enchanted by the performances, mesmerised by the visuals and compelled by the tide of dramatic tension.

The bottom line: Haunting

 
Talking Movies with Spling - Beyond the River, Going in Style and A Monster Calls


Spling reviews Beyond the River, Going in Style and A Monster Calls as broadcast on Talking Movies, Fine Music Radio. Catch Talking Movies on Fridays at 8:20am and Saturdays at 8:15am every week on Fine Music Radio.

 
Movie Review: Beyond the River


South Africa needs Beyond the River, an uplifting sports drama based on a true story. At this point in time, our country's politics is still divided along racial lines, or rather that's what some parties would have you believe. We've come a long way since our rainbow nation was inaugurated in 1994 under the guidance of Nelson Mandela, whose levelheaded leadership navigated us through what could have been a much more radical transition. While some of the injustice around the old South Africa still haunts us today in terms of economic disparities, social incohesion and emotional wounds, we need to stop blaming in order to change our circumstances and fix our minds in getting to a place where we can all feel proud to wave our flag.

Beyond The River has got a clear agenda in terms of promoting common goals, interracial harmony and social upliftment, through its inspiring story about an unlikely Dusi canoe marathon pairing. Craig Freimond directed Material, a well-balanced and personal story for lead actor and doctor comedian Riaad Moosa. He's extended his talents into the sports genre, carefully nurturing another relationship-based story in the process. While competing in the Dusi canoe marathon is the end goal, this drama is more about the personal challenges experienced by two men on opposite sides of the fence.

While based on the true story of Siseko Ntondini and Piers Cruickshanks, the screenplay has been modified taking creative license to instill more dramatic tension. Duma, a poor young black man from Soweto is coaxed into taking up canoeing by a would-be mentor, Oupa, who challenges him to make something of his life. He meets Dusi veteran, Steve, a middle class older white man and teacher from the suburbs, who is also seeking some new direction and focus in his life.

Lemogang Tsipa and Grant Swanby take on the roles of Duma and Steve. Tsipa's experiential knowledge and lingual versatility enable him to live in Duma's world. From a difficult home life and struggling to break free from a bad influence, it's a pleasure to see Tsipa take Duma from zero to hero. Swanby's face is fascinating, carrying a heavy emotional burden and channeling all his determination and rage into being the best he can be no matter the cost. Together these underdogs make a curious duo, representing a cross-section of South African diversity. Their solid performances keep us rooting for them on an everyman level since we're kept at a arm's length through relative anonymity and a lack of charm and warmth.

Beyond the River movie review

"There's only one race, the human race."

Israel Makoe, Garth Breytenbach, Kgosi Mongake and Emily Child serve as a dependable supporting cast. Makoe takes on a tough yet refreshing mentor role with his usual fire and vigour getting Duma to make a lasting change as Oupa. Breytenbach adds some light-hearted banter and much-needed charm to proceedings as the ever-likable Dan. Mongake is beautifully tragic as Duma's best friend, Zama, and Child brings some melancholy to the drama playing Steve's estranged number one fan, Annie.

While the sports story is fairly predictable, it's the inspiring drama that makes Beyond the River worth your time. It's emotionally taut as we witness two men trying to dig themselves out of a rut through team work and perseverance. They're constantly breaking barriers, overcoming prejudices and inspiring others around them with the symbol of the river adding layers of meaning. It makes for compelling viewing to see the everyday battles playing out against the background of a much grander narrative for South Africa's future. The message is powerful and timely, especially for a sporting nation like South Africa, where working together, overcoming intercultural and economic barriers to establish unity is a familiar narrative.

Freimond ups the production value through aerial photography of the Dusi marathon rapids, Kwazulu-Natal's Valley of a Thousand Hills and energises the film with a nostalgic mix of classic South African music. It's stirring to see the guts and glory play out in a uniquely South African underdog sports drama. While it weaves a story of amazing contrasts and curious tensions, we struggle to break into the inner worlds of our co-leads, whose fuzzy standpoints make us empathise for them yet never truly befriend them. Watching from the sidelines, it's easy to cheer Beyond the River over the finish line as an inspiring albeit predictable crowd-pleaser, but it's always more fun being in the canoe.

The bottom line: Inspiring


 
Spling's Galileo Pick of the Week: Into The Wild


Spling's Pick of the Week - Into the Wild at Kirstenbosch

INTO THE WILD @ KIRSTENBOSCH (26 Apr)

Sean Penn directed the story of Christopher McCandless, a college student whose wanderlust took him on a cross-country runaway adventure. Into the Wild's a tragic, nostalgic and haunting tale of ideals and survival and who can forget the enigmatic Emile Hirsch, a heartfelt Hal Holbrook and Eddie Vedder's on-the-road soundtrack? This is a deeply affecting and powerful adaptation of a true story, which captures the life-and-times and appeals to everyone's sense of wanderlust. Watching Into the Wild in the great outdoors will add a level of authenticity to the whole experience.

This nostalgic story of wanderlust is showing under the stars at The Galileo Open Air Cinema.

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