Welcome to Spling Movies

Welcome to Spling Movies

Custom Search
Lottery Numbers in Film: The Winning Numbers

Over the years, the life-changing thrill of the lottery has proved to be a rich source of material for Hollywood. There are dozens of blockbuster movies in which the lottery and its winners are central to the plot, with the winnings leading to a mixture of euphoria, comedy, and romance for those lucky players. If you're in need of some inspiration this holiday season when it comes to picking the right numbers, then this well-worn movie trope could provide the answers. Here are the winning numbers from the most iconic lottery movies in the history of cinema.

1. It Could Happen to You: 06, 12, 16, 27, 48, 64

This heartwarming 1994 film starring Nicholas Cage and Bridget Fonda is based on a real-life incident in which a down-at-heel NYPD officer splits his $4 million lottery winnings with a waitress who he met the day before the draw. In both the film and real life, the winner promised the waitress half of the winnings on a lottery ticket because he couldn't afford to tip her, making this heartwarming tale one of the most well-deserved lottery wins in history.

2. Lucky Numbers: 22, 70, 16, 9, 27, 07

Of all of the iconic lotto numbers from movies, this film might just be the most hilarious. Starring John Travolta and Lisa Kudrow, the plot centres around a sleazy TV anchorman who needs money after an insurance scam gone wrong. To get it, he and his girlfriend (played by Kudrow) conspire to rig the Pennsylvania State Lottery, successfully scooping the $6.4 million prize. Of course, things don't entirely go to plan, as hilarity and misfortune ensue.

3. Waking Ned Devine: 19, 40, 04, 07, 25, 29

This critically acclaimed comedy is set in a small village on the Isle of Man, wherein one of the 40 inhabitants has won €7 million on the Irish Lottery. While the inhabitants are jovial at first, jealousy soon sets in and a number of harebrained schemes to grab a slice of the winnings follow. The low-budget film was a surprise smash-hit, grossing over $55 million worldwide and inspiring a Bollywood spin-off.

4. The Lottery Ticket: 04, 32, 33, 42, 45, 21

This 2010 comedy starring Bow Wow and Ice Cube centres around what happens in a low-income community when a man finds himself with a winning ticket for $370 million. At first, everything seems to be going well, until the protagonist (played by Bow Wow) soon realizes that all of his so-called friends are only being nice to him as means of grabbing a slice of his winnings. While the subject matter is serious stuff, the execution is lighthearted and hilarious, with a killer soundtrack to boot.

5. Paycheck: 17, 44, 04, 26, 37, 70, 22

This mind-bending 2003 sci-fi flick starring Ben Affleck follows a reverse engineer who bends time and space in order to create successful inventions before the actual inventors think them up. While the lottery is not a central part of the movie, it becomes a central plot point towards the end. You won't find spoilers here, so go and watch it and see for yourself.

These classic lottery films may be (mostly) fictional, but the numbers might transpire to some real-life winnings. Perhaps consider these if you're hoping for a big payday this Christmas.

Cinema vs Television: Scorsese, Lynch and Beyond

Martin Scorsese has been in the news lately. What seems to be set as a shoe-in this coming award season is his latest, The Irishman. Starring Robert De Niro, Al Pacino and Joe Pesci the epic crime drama has a stellar ensemble and who's who of gangster Hollywood. A strong genre film based on a book of the same name, which follows a mob hitman and his connection with labour union leader Jimmy Hoffer, the sprawling gangster picture clocks in at 3 1/2 hours.

While it probably had something to do with publicity in the weeks leading up to the release of The Irishman on Netflix, Scorsese was quite vocal about his feelings on the Marvel cinematic universe. Essentially dismissing the franchise's spectacle by likening it to a theme park ride, his remarks pressed buttons with fans of the box office blockbusters. While spectacular, imaginative and star-studded the CGI monoliths are very different from what a director like Martin Scorsese can bring to the party. One of Hollywood's's most respected filmmakers of all time, legendary Marvel producer Kevin Feige was almost resigned in his response to Scorsese's comments.

At 3.5 hours, The Irishman is one of his longest films yet and while compelling, it is a slog to endure the full duration in one sitting. The temptation to watch it in several parts is much stronger based on the fact that it has been released on Netflix, allowing more wiggle room when it comes to play and pause as opposed to conventional theatre. A meme doing the rounds giving audiences a handy four-part breakdown, and Netflix's insistence that the film only get a very limited theatrical release, has meant that many viewers would have watched it almost like a miniseries. Ironically, being a cinematic purist, Scorsese has now been tasked with maintaining that The Irishman is in fact a film and not a miniseries.

This irony and new streaming services have created a fascinating grey area. Roma, a film released on Netflix which did get a theatrical run was regarded as one of the year's best films receiving a number of awards during last year's award season. Rather niche, the black-and-white arthouse drama spent a year in the life of a maid in Mexico City. Far from mainstream, it was a surprising and even promising move from Netflix, something of a pioneer in the film industry. While raising many eyebrows, not just Robert De Niro's, The Irishman can almost be seen as a bit of a challenge and a disruptor in its wake.

Blurring the lines between what constitutes a cinematic feature film release as opposed to a straight-to-video TV movie, it's becoming increasingly difficult to make the distinction. Television is now in its golden age, in some cases matching cinema in every respect, almost forcing some re-evaluation. The boundaries have certainly shifted over the years and one great example of this is the return to Twin Peaks. The highly anticipated season three of Twin Peaks by writer-director David Lynch further muddied the waters. Releasing on Showtime, it has been argued that the TV series is in fact the best film of the last decade. With each episode winding up in a bar with a musical interlude, you could see how it would be easy to glue every episode together without the interludes to form one very long film.

David Lynch's Twin Peaks series was revolutionary at the time it first emerged, inspiring a number of other shows with similar elements and appetites. The filmmaker is or has been quite reluctant to delve too far into television, having only directed several of the original Twin Peaks episodes. His latest effort makes a great case study and example when it comes to trying to differentiate between television and film, having served as director from start to finish. Nowadays the crossovers are quite normal with many film actors becoming figureheads for long-running TV series. While there used to be a stigma attached to TV productions, the calibre and popularity of such shows is making it much easier and advantageous to associate.

Streaming services are giving viewers access to the latest and greatest from the comfort of their own home. While influential filmmakers like Martin Scorsese are being won over, one wonders what implications opting to release on the small screen could have in the long run. It's much more comfortable to watch from the comfort of your own home, yet with the wide spectrum of quality when it comes to home theatres, it may not be an optimal first point screening platform.

Moreover, taking these kind of screen gems away from theatres could further jeopardise the film industry from a financial point-of-view. While there is plenty of money to be made via streaming services at present, who are bending over backwards in order to create fast entertainment catalogues, one does wonder how long and sustainable this can be. While it's promising that many people are turning to streaming services instead of simply pirating content, it's difficult to comprehend how such small "family" subscription fees will be able to substitute for the cost of a movie ticket and be able to advance the industry. These radical changes are certainly turning things upside down, although as more streaming providers come to the party things are going to further complicate themselves.

Norval Foundation - An Art Museum and Cultural Centre

The Norval Foundation is an art museum and centre for cultural expression in Steenberg, Cape Town. Exhibiting a wide variety of art, their focus is on local and international visual art from the 20th and 21st century. Adjacent to the Table Mountain National Park and next door to the Steenberg Golf Club, the museum's architectural lines blend into nature with many great windows and spectacular views. Breaking free from structure, it spills into nature through the beautifully tranquil Sculpture Garden and outdoor amphitheatre.


Through versatile exhibition spaces and a dedicated research library, the centre seeks to expose guests to some of the greatest artists at home and abroad. Currently exhibiting the work of William Kentridge, the museum has an extensive tour of his Dada-inspired creations. Using found objects and a touch of surreal whimsy, the celebrated art and theatre legend has an unbridled passion for creating. Mechanical pieces with a musical affinity, stereoscopic art for added depth as well as massive sculptures adorn most of the ground level displays.

Kentridge has a playful yet poetic approach to his work with many recurring motifs. Taking on an interactive element, his pieces come alive through wonder and imagination. While an outright original, there are hints of David Lynch's fascination with movement and technology with a dab of Monty Python's experimental energy and humour.

Norval Foundation

Another highlight is the visual exhibition 'in Pursuit of Venus [infected]' by Lisa Reihana. The eclectic video against a painted backdrop restages historical events, both real and imagined, as the first contact between the British and Pacific people plays out. A wide projected image across an entire gallery, the New Zealand artist's piece plays out inviting viewers to immerse themselves in the ancient world. Authentic and even harrowing at times, the series of encounters create a sense of being there, interspersed and happening simultaneously with traveling audio. At 64 minutes, it's a surreal and haunting display that will resonate quite strongly with South Africa's history, echoing the story of Krotoa, which was recently adapted to film.

While the museum is laden with information, joining a tour will help you excavate the inside stories, adding another layer of context to the artwork. Upstairs a collection of artwork has been cleverly curated to sit alongside each other and serve as contrasts. Adding further nuance and counterbalancing each other to offer new dimensions, each piece is further enriched.

The Skotnes restaurant is now a favourite. Allowing plenty of natural light in through window walls, exhibiting nature in its glory and set against manicured gardens from the mind of Keith Kirsten, the exterior makes it a beautiful space. The interior's stylish furniture and decorative ceiling complement the museum's desire to create a space for art and people to co-exist. Serving up good coffee and sporting a versatile menu, it could be your new favourite meeting spot.

Norval Foundation Sculpture Garden

With musical performances and are ever-evolving art display, the Norval Foundation is a wonderous place with a fixed gaze on celebrating art and culture in our country. Whether you're visiting the museum, restaurant or staying over in the apartment, there's always a way for you to connect with what's happening at the Norval Foundation.

General admission tickets are R180 for adults and under 18s get in free. They have membership options and if you visit on first Thursdays, it's free for everyone. Open every day of the week from 10am - 6pm, except Tuesdays, there's really no excuse for you not to enjoy what the museum and centre has on offer. Even if you're not even in Cape Town you can get a sense of the place from their virtual tour.

Review: The Hilarious Mark Banks on Ice Comedy - 60 Years of Madness

Mark Banks on Ice is a one-man stand-up comedy show now playing at Pieter Toerien's Theatre on the Bay in Camps Bay, Cape Town. Legendary South African comedian, Mark Banks, has made a name for himself with his outrageous brand of comedy. While the poster and title are flamboyant and over-the-top, the show as you may have guessed is much more pared down with scenes of snowfall.

Banks has a very dry sense of humour, not afraid to poke fun at politicians, making him probably well-suited to leading a comedy roast. While the show is "on ice", there isn't really a theme holding everything together as Banks allows his repertoire to cover flights, sharks, school and a range of popular go-to stand up topics.

Wheezing at some of his own jokes, his facial expressions are quite priceless, able to say so much with the roll of his eyes or a grimace. Teasing out some of the local Cape Town news of the day and things you'll notice, he takes a few potshots with the click of his heels.

Comfortable on stage, freewheeling through his set and maintaining good patter with the audience, he managed to keep the laughs coming through regularly with some clever wordplay, repetition, stereotyping, accents and great inflection. While some bits of his show have been played before, there is enough fresh material to keep things upbeat and funny.

While his audience front row picks were unfortunately a little bit bland with Judy and a Calitzdorpian, he still managed to add some spice, admittedly returning to pick up some of the pieces later on in the act. Planning his standing ovation early into the show, after the 82 minute run time, he did get a semi-ovation which probably summed up the night. While Banks is sharp-witted, he managed to operate without profanity, refraining from going there possibly playing into the show poster's satirical Disney edge. This didn't stop him from being lewd and lascivious from time to time, but it probably wouldn't be a Mark Banks show without some depravity.

Being one of the best BS artists in the game, his outlandish tall stories constantly verged on the point of becoming hysterical with some tipping over. Picking on soft targets such as the disabled, aged and homeless, his bold brand of comedy was adventurous and he managed to be risqué, flirting with shock value as if he was fishing for gasps. All in all, it was a great night out with Banks injecting energy and sizzle the whole way through.

<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>

Page 6 of 297